Song DNA
Genre
Pop
Era
80s
Mood
Euphoric
Tempo
Fast
Key
Major
Texture
Layered
Sound
Synth-heavy
Feel
Straight
Released in 1985, this Norwegian anthem became a global sensation through its innovative rotoscoped music video and driving new wave production. It stands as a definitive pillar of 80s pop culture, showcasing a rare blend of layered synthesizers and Morten Harket’s impressive vocal range.
The harmonic sophistication of 'Take on Me' lies in its avoidance of the tonic at the start of the phrase. By beginning the verse on the ii chord (Bm7) and following the circle of fifths, the song generates a propulsion that mirrors the frantic energy of the s…
The song's core riff was originally written by Magne Furuholmen when he was 15 years old for his previous band, Bridges, under the title 'The Juicy Fruit Song'. After forming a-ha, the band reworked the track through multiple iterations, including a version ti…
“Morten Harket's vocals span a range of two and a half octaves during the song.”
The harmonic sophistication of 'Take on Me' lies in its avoidance of the tonic at the start of the phrase. By beginning the verse on the ii chord (Bm7) and following the circle of fifths, the song generates a propulsion that mirrors the frantic energy of the synth-pop arrangement. The bridge introduces a bVII (G major), which is a common 80s pop trope that adds a non-diatonic color before resolving back to the V chord (E) to re-establish the key of A Major for the final chorus.
The song's core riff was originally written by Magne Furuholmen when he was 15 years old for his previous band, Bridges, under the title 'The Juicy Fruit Song'. After forming a-ha, the band reworked the track through multiple iterations, including a version titled 'Lesson One', before producer Alan Tarney helped them achieve the definitive synth-pop sound that became a global hit.
Released in 1985, this Norwegian anthem became a global sensation through its innovative rotoscoped music video and driving new wave production. It stands as a definitive pillar of 80s pop culture, showcasing a rare blend of layered synthesizers and Morten Harket’s impressive vocal range.
Detailed analysis of this section is not yet available for this song.
Genre
Pop
Era
80s
Mood
Euphoric
Tempo
Fast
Key
Major
Texture
Layered
Sound
Synth-heavy
Feel
Straight
24.0M
Plays
2.9M
Listeners
1.7M
Genius Views
6
Annotations
100%
Popularity
3:48
Duration
4/4
Time
From the album Hunting High and Low (30th Anniversary Edition)
Bridge
Chorus
Verse
Chords C#m 4 ✕ G Bm ✕ E A ✕ F#m D ✕ ✕ Bm7 ✕ E7 C#m G Bm E A F#m D Bm7 E7 Harmony The harmonic sophistication of 'Take on Me' lies in its avoidance of the tonic at the start of the phrase. By beginning the verse on the ii chord (Bm7) and following the circle of fifths, the song generates a propulsion that mirrors the frantic energy of the synth-pop arrangement. The bridge introduces a bVII (G major), which is a common 80s pop trope that adds a non-diatonic color before resolving back to the V chord (E) to re-establish the key of A Major for the final chorus. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Chord Diagrams C#m 4 ✕ G Bm ✕ E A ✕ F#m D ✕ ✕ Bm7 ✕ E7
Composition The song's core riff was originally written by Magne Furuholmen when he was 15 years old for his previous band, Bridges, under the title 'The Juicy Fruit Song'. After forming a-ha, the band reworked the track through multiple iterations, including a version titled 'Lesson One', before producer Alan Tarney helped them achieve the definitive synth-pop sound that became a global hit. Inspiration: The catchy synthesizer riff was the primary driver, inspired by the band's interest in the growing New Wave and electronic music scenes in the early 1980s. Recording Studio: RG Jones Studios, Wimbledon; Eel Pie Studios, Twickenham Producer: Alan Tarney Morten Harket's vocals span a range of two and a half octaves during the song. The final hit version was actually the third attempt at releasing the song in the UK. The iconic drum pattern was created using a LinnDrum machine.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions Bm7 ii7 P E7 V7 D A I T D IV P A I T E V D F#m vi T D IV P Progression by Section Bridge C#m iii G bVII T C#m iii G bVII T Bm ii P E V D Chorus A I T E V D F#m vi D IV P Verse Bm7 ii7 P E7 V7 D A I T D IV P Chord Diagrams C#m 4 ✕ G Bm ✕ E A ✕ F#m D ✕ ✕ Bm7 ✕ E7 Harmony Analysis The harmonic sophistication of 'Take on Me' lies in its avoidance of the tonic at the start of the phrase. By beginning the verse on the ii chord (Bm7) and following the circle of fifths, the song generates a propulsion that mirrors the frantic energy of the synth-pop arrangement. The bridge introduces a bVII (G major), which is a common 80s pop trope that adds a non-diatonic color before resolving back to the V chord (E) to re-establish the key of A Major for the final chorus. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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Everybody Wants to Rule the WorldTears for FearsGirls Just Want to Have FunCyndi LauperEvery Breath You TakeThe Police(I Just) Died in Your ArmsCutting CrewDon't You (Forget About Me)Simple MindsForever YoungAlphavilleTake on Me24.0M playsHunting High and Low1.9M playsThe Sun Always Shines on T.V.1.6M playsCrying in the Rain1.5M playsThe Living Daylights1.1M playsStay on These Roads978K playsView all a-ha songs →historyDel punk al sintetizador: historia completa del new waveDescubre como el new wave transformo el rock entre 1978 y 1986, desde las raices punk de Blondie hasta la conquista de MhistoryFrom Punk to Synth: The Complete History of New Wave MusicDiscover how New Wave transformed rock from Blondie CBGB roots to Duran Duran MTV dominance, A-ha global conquest, and T