Here Comes the Rain Again

The harmony's genius lies in its simplicity and emotional precision. Stewart's use of natural minor with the persistent B natural note creates a tonal suspension — neither fully minor nor major — that perfectly embodies the song's theme of emotional ambiguity. The three-chord verse (i-VI-VII) avoids traditional dominant resolution, instead using the subtonic VII to create a floating, unresolved quality. When the chorus shifts toward C major, the momentary brightness mirrors the lyric's reach for human connection before the inevitable return to minor-key introspection. The orchestral strings reinforce rather than complicate this harmonic framework, adding textural richness without altering the fundamental tonal ambiguity.

David A. Stewart was playing melancholy A minor chords with a B natural note on his Casio keyboard at the Mayflower Hotel in New York City. Annie Lennox walked over, looked out the window at the gray skies and the New York skyline, and spontaneously sang 'Here comes the rain again.' The duo worked out the rest of the song from that mood, building on the emotional ambiguity between despair and intimacy that Stewart described as 'the wandering in and out of melancholy.'

Released as the opening track of Eurythmics' third album Touch (1983), 'Here Comes the Rain Again' became the duo's second US top-ten hit, peaking at number four on the Billboard Hot 100. Written spontaneously at the Mayflower Hotel in New York City, the song fuses Annie Lennox's emotive vocals with David A. Stewart's minor-key synth work and Michael Kamen's lush string arrangements, embodying the wandering between despair and intimacy that defined Eurythmics' artistic identity.