Listen to the Song
Song DNA
Genre
Classical
Era
2000s
Mood
Peaceful
Tempo
Mid-tempo
Key
Modal
Texture
Orchestral
Sound
Vocal-focused
Feel
Straight
Hans Zimmer
Hans Zimmer, Klaus Badelt, Lisa Gerrard
Co-composed by Hans Zimmer and Lisa Gerrard, this track utilizes an invented language to evoke a universal sense of liberation. The composition won a Golden Globe for Best Original Score and remains a defining example of early 2000s cinematic world music.
The harmony of 'Now We Are Free' relies on the hypnotic repetition of a four-chord modal loop. Its effectiveness stems from the rejection of the leading tone (G#), which characterizes the A Aeolian mode rather than the melodic or harmonic minor scales. This cr…
The track was written for the film 'Gladiator' by Hans Zimmer, Klaus Badelt, and Lisa Gerrard. The production of the score involved a late-stage change where the original composer was replaced during the final phases of production.
“A remix of the track was produced by Reece Kane.”
The harmony of 'Now We Are Free' relies on the hypnotic repetition of a four-chord modal loop. Its effectiveness stems from the rejection of the leading tone (G#), which characterizes the A Aeolian mode rather than the melodic or harmonic minor scales. This creates a suspended, timeless quality that complements Lisa Gerrard's glossolalia vocals. The shift to the relative major (C major) in the secondary progression provides the cinematic swell required for the film's resolution without breaking the established modal framework.
The track was written for the film 'Gladiator' by Hans Zimmer, Klaus Badelt, and Lisa Gerrard. The production of the score involved a late-stage change where the original composer was replaced during the final phases of production.
Co-composed by Hans Zimmer and Lisa Gerrard, this track utilizes an invented language to evoke a universal sense of liberation. The composition won a Golden Globe for Best Original Score and remains a defining example of early 2000s cinematic world music.
Detailed analysis of this section is not yet available for this song.
Genre
Classical
Era
2000s
Mood
Peaceful
Tempo
Mid-tempo
Key
Modal
Texture
Orchestral
Sound
Vocal-focused
Feel
Straight
1.6M
Plays
266K
Listeners
79K
Genius Views
2
Annotations
100%
Popularity
4:16
Duration
4/4
Time
Chorus
Verse
Chords Am ✕ G F C ✕ Am G F C Harmony The harmony of 'Now We Are Free' relies on the hypnotic repetition of a four-chord modal loop. Its effectiveness stems from the rejection of the leading tone (G#), which characterizes the A Aeolian mode rather than the melodic or harmonic minor scales. This creates a suspended, timeless quality that complements Lisa Gerrard's glossolalia vocals. The shift to the relative major (C major) in the secondary progression provides the cinematic swell required for the film's resolution without breaking the established modal framework. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Composition The track was written for the film 'Gladiator' by Hans Zimmer, Klaus Badelt, and Lisa Gerrard. The production of the score involved a late-stage change where the original composer was replaced during the final phases of production. Recording Producer: Klaus Badelt, Hans Zimmer A remix of the track was produced by Reece Kane. The track is a central part of the 'Gladiator' motion picture soundtrack.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions Am i T G VII D F VI T G VII D Progression by Section Chorus Am i T F VI C III G VII T Verse Am i T G VII T F VI G VII T Chord Diagrams Am ✕ G F C ✕ Harmony Analysis The harmony of 'Now We Are Free' relies on the hypnotic repetition of a four-chord modal loop. Its effectiveness stems from the rejection of the leading tone (G#), which characterizes the A Aeolian mode rather than the melodic or harmonic minor scales. This creates a suspended, timeless quality that complements Lisa Gerrard's glossolalia vocals. The shift to the relative major (C major) in the secondary progression provides the cinematic swell required for the film's resolution without breaking the established modal framework. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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