Like a Virgin

The harmony of 'Like a Virgin' is a masterclass in effective 1980s pop simplicity. It avoids complex modulations or modal interchange, relying instead on the contrast between a static two-chord verse (I-IV) and a more directional three-chord chorus (I-IV-V). The harmonic interest is driven primarily by the rhythmic interaction between the bass and the keyboards rather than chromaticism. The move to the vi chord in the bridge is the only significant departure from the primary major triad palette, providing the necessary contrast to make the final choruses feel 'reborn' and high-energy.

The song was written by Billy Steinberg and Tom Kelly. Steinberg wrote the lyrics while driving in his car, reflecting on a new relationship he had entered following a difficult period. He felt he had made it through the 'wilderness' and was 'shiny and new.' The duo recorded a demo with Kelly singing, which was eventually played for Madonna and Nile Rodgers by Warner Bros. executive Michael Ostin.

Produced by Nile Rodgers, 'Like a Virgin' is a masterclass in 80s synth-pop, blending a driving bassline with a metaphor for emotional rebirth. It challenged social norms and established Madonna as a provocative cultural force, remaining one of the most recognizable tracks in music history.