QE2

The harmony of 'QE2' is defined by its sectional, suite-like structure. Rather than a standard pop cycle, it uses 'progressive' harmonic development where motifs are introduced in one mode (Dorian) and eventually resolved in a triumphant Major key. The use of the major IV chord in a minor context (C major in G minor) is a hallmark of Oldfield's 'Celtic' sound, mimicking the natural mixolydian/dorian scales found in folk instruments like the Uilleann pipes.

The title track 'QE2' was written as an instrumental piece intended to evoke the scale and mechanical grace of the ocean liner RMS Queen Elizabeth 2. It was a collaborative effort between Mike Oldfield and producer David Hentschel, marking a shift toward more structured, shorter compositions compared to Oldfield's earlier side-long epics.

Serving as the title track for his 1980 album, 'QE2' showcases Mike Oldfield’s shift toward more concise, rhythmically driven compositions. The track famously utilizes vocoders and diverse percussion to evoke the grandeur of its ocean liner namesake, bridging the gap between symphonic prog-rock and modern electronic experimentation.