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Genre
Progressive Rock
Era
70s
Mood
Defiant
Tempo
Mid-tempo
Key
Minor
Texture
Full Band
Sound
Guitar-driven
Feel
Groovy

Pink Floyd
The Wall (1979)
Roger Waters
Serving as the centerpiece of the 1979 rock opera 'The Wall,' this track is a definitive masterpiece of progressive rock and social rebellion. It famously combines a disco-influenced beat with a haunting children's choir to deliver a sharp indictment of authoritative discipline.
The song's harmonic identity is defined by the D Dorian mode, specifically the movement from Dm to G major. This avoids the 'darker' Aeolian sound of a Bb chord and instead uses the B natural of the IV chord to create a more driving, rock-oriented tension. The…
Written by Roger Waters, the song is a three-part protest against the rigid and abusive British boarding school system. Part 2, the most famous section, specifically targets 'thought control' and 'dark sarcasm in the classroom.' It was originally a short verse…
“The children from Islington Green School were initially not paid, though they later received a platinum record and small royalty payments in the 2000s.”
The song's harmonic identity is defined by the D Dorian mode, specifically the movement from Dm to G major. This avoids the 'darker' Aeolian sound of a Bb chord and instead uses the B natural of the IV chord to create a more driving, rock-oriented tension. The solo section heavily utilizes D minor pentatonic and blues scales over a static Dm7 groove, emphasizing the rhythmic pocket over complex chord changes.
Written by Roger Waters, the song is a three-part protest against the rigid and abusive British boarding school system. Part 2, the most famous section, specifically targets 'thought control' and 'dark sarcasm in the classroom.' It was originally a short verse and chorus, but producer Bob Ezrin suggested expanding it with a disco-influenced beat and a second verse performed by school children to make it more commercially viable.
Serving as the centerpiece of the 1979 rock opera 'The Wall,' this track is a definitive masterpiece of progressive rock and social rebellion. It famously combines a disco-influenced beat with a haunting children's choir to deliver a sharp indictment of authoritative discipline.
Detailed analysis of this section is not yet available for this song.
Genre
Progressive Rock
Era
70s
Mood
Defiant
Tempo
Mid-tempo
Key
Minor
Texture
Full Band
Sound
Guitar-driven
Feel
Groovy
1.7M
Plays
290K
Listeners
1.3M
Genius Views
15
Annotations
100%
Popularity
5:43
Duration
4/4
Time
From the album The Wall
Chords F C ✕ Dm ✕ ✕ Dm7 ✕ ✕ G Harmony The song's harmonic identity is defined by the D Dorian mode, specifically the movement from Dm to G major. This avoids the 'darker' Aeolian sound of a Bb chord and instead uses the B natural of the IV chord to create a more driving, rock-oriented tension. The solo section heavily utilizes D minor pentatonic and blues scales over a static Dm7 groove, emphasizing the rhythmic pocket over complex chord changes. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
No musician information available for this song yet.
Composition Written by Roger Waters, the song is a three-part protest against the rigid and abusive British boarding school system. Part 2, the most famous section, specifically targets 'thought control' and 'dark sarcasm in the classroom.' It was originally a short verse and chorus, but producer Bob Ezrin suggested expanding it with a disco-influenced beat and a second verse performed by school children to make it more commercially viable. Inspiration: The lyrics were inspired by Roger Waters' personal experiences at Cambridgeshire High School for Boys, where he felt the teachers were more interested in crushing individuality than fostering education. Recording Studio: Britannia Row Studios, Super Bear Studios, Miraval Studios, and Producers Workshop Producer: Bob Ezrin, David Gilmour, and Roger Waters The children from Islington Green School were initially not paid, though they later received a platinum record and small royalty payments in the 2000s. Producer Bob Ezrin had to convince the band to use a four-to-the-floor disco beat, which was initially met with resistance by David Gilmour. The song features a famous 24-fret guitar solo by David Gilmour recorded on a 1955 Gibson Les Paul Goldtop.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions Dm i T G IV P C VII D F III T Progression by Section Chorus F III C VII T Dm i T Verse Dm7 i7 T G IV P Dm7 i7 T Chord Diagrams F C ✕ Dm ✕ ✕ Dm7 ✕ ✕ G Harmony Analysis The song's harmonic identity is defined by the D Dorian mode, specifically the movement from Dm to G major. This avoids the 'darker' Aeolian sound of a Bb chord and instead uses the B natural of the IV chord to create a more driving, rock-oriented tension. The solo section heavily utilizes D minor pentatonic and blues scales over a static Dm7 groove, emphasizing the rhythmic pocket over complex chord changes. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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