
Listen to the Song
Song DNA
Genre
R&B
Era
70s
Mood
Peaceful
Tempo
Ballad
Key
Major
Texture
Orchestral
Sound
Piano-led
Feel
Straight

Roberta Flack
First Take (1969)
Ewan MacColl
Originally written in 1957 by Ewan MacColl for Peggy Seeger, this folk ballad was transformed by Roberta Flack into a spare, hypnotic soul masterpiece on her 1969 debut album First Take. A sleeper hit propelled by Clint Eastwood's film Play Misty for Me, it topped the Billboard Hot 100 and swept the 1973 Grammy Awards for Record and Song of the Year.
The harmony blends folk song simplicity with jazz-influenced voicings and orchestral lushness. The core progressions are diatonic and accessible, but the use of major seventh chords, the borrowed iv minor, and the spacious rubato phrasing give the song a harmo…
Ewan MacColl wrote the song after Peggy Seeger, who was working for a radio show in Los Angeles, told him the producers wanted a 'hopeful love song' because her folk repertoire was mostly sad. MacColl composed it quickly and sang it to Seeger over the telephon…
“Ron Carter, one of jazz's most recorded bassists, played on the session”
The harmony blends folk song simplicity with jazz-influenced voicings and orchestral lushness. The core progressions are diatonic and accessible, but the use of major seventh chords, the borrowed iv minor, and the spacious rubato phrasing give the song a harmonic sophistication that elevates it beyond a standard folk ballad. The slow tempo allows each chord change to resonate deeply, making the harmony feel inevitable rather than predictable.
Ewan MacColl wrote the song after Peggy Seeger, who was working for a radio show in Los Angeles, told him the producers wanted a 'hopeful love song' because her folk repertoire was mostly sad. MacColl composed it quickly and sang it to Seeger over the telephone from England. Although written about their relationship, Seeger said she did not interpret it as a love song at the time because she was not yet in love with him, and she performed it from his perspective.
Originally written in 1957 by Ewan MacColl for Peggy Seeger, this folk ballad was transformed by Roberta Flack into a spare, hypnotic soul masterpiece on her 1969 debut album First Take. A sleeper hit propelled by Clint Eastwood's film Play Misty for Me, it topped the Billboard Hot 100 and swept the 1973 Grammy Awards for Record and Song of the Year.
Detailed analysis of this section is not yet available for this song.
Genre
R&B
Era
70s
Mood
Peaceful
Tempo
Ballad
Key
Major
Texture
Orchestral
Sound
Piano-led
Feel
Straight
839K
Plays
209K
Listeners
245K
Genius Views
2
Annotations
100%
Popularity
4:20
Duration
4/4
Time
From the album First Take
Chorus
Verse
N/A
N/A
N/A
N/A
Chords Bbm ✕ Gb Ab7 N/A Db 4 ✕ Dbmaj7 N/A Gbm N/A Db/Ab N/A Bbm Gb Ab7 Db Dbmaj7 Gbm Db/Ab Harmony The harmony blends folk song simplicity with jazz-influenced voicings and orchestral lushness. The core progressions are diatonic and accessible, but the use of major seventh chords, the borrowed iv minor, and the spacious rubato phrasing give the song a harmonic sophistication that elevates it beyond a standard folk ballad. The slow tempo allows each chord change to resonate deeply, making the harmony feel inevitable rather than predictable. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Chord Diagrams Bbm ✕ Gb Ab7 N/A Db 4 ✕ Dbmaj7 N/A Gbm N/A Db/Ab N/A
Composition Ewan MacColl wrote the song after Peggy Seeger, who was working for a radio show in Los Angeles, told him the producers wanted a 'hopeful love song' because her folk repertoire was mostly sad. MacColl composed it quickly and sang it to Seeger over the telephone from England. Although written about their relationship, Seeger said she did not interpret it as a love song at the time because she was not yet in love with him, and she performed it from his perspective. Inspiration: MacColl's long-distance relationship with Peggy Seeger, who had returned to the US to distance herself from him while he was still married to his second wife Jean Newlove Recording Studio: Atlantic Studios Producer: Joel Dorn Ron Carter, one of jazz's most recorded bassists, played on the session The orchestral arrangement by William S. Fischer added lush strings and horns to the spare folk original
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions Db I T Dbmaj7 Imaj7 T Gb IV P Ab7 V7 D Db I T Progression by Section Chorus Bbm vi Gb IV P Ab7 V7 D Db I T Verse Db I T Dbmaj7 Imaj7 T Gb IV P Gbm iv P Db/Ab I/5 T Ab7 V7 D Db I T Chord Diagrams Bbm ✕ Gb Ab7 N/A Db 4 ✕ Dbmaj7 N/A Gbm N/A Db/Ab N/A Harmony Analysis The harmony blends folk song simplicity with jazz-influenced voicings and orchestral lushness. The core progressions are diatonic and accessible, but the use of major seventh chords, the borrowed iv minor, and the spacious rubato phrasing give the song a harmonic sophistication that elevates it beyond a standard folk ballad. The slow tempo allows each chord change to resonate deeply, making the harmony feel inevitable rather than predictable. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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Killing Me Softly With His SongRoberta FlackFeel Like Makin' LoveRoberta FlackWhen A Man Loves A WomanPercy SledgeLean on MeBill WithersThinkAretha FranklinAt LastEtta JamesKilling Me Softly With His Song2.7M playsFeel Like Makin' Love1.1M playsThe First Time Ever I Saw Your Face839K playsWhere Is the Love298K playsThe Closer I Get To You273K playsCompared to What193K playsView all Roberta Flack songs →historyDe las Raíces del Gospel al Neo-Soul: La Historia de la Música SoulDescubre la rica historia de la música soul: desde las raíces gospel de Sam Cooke y la era dorada de Motown hasta los exhistoryFrom Gospel Roots to Neo-Soul: The History of Soul MusicExplore the rich history of soul music — from Sam Cooke's gospel roots and Motown's golden age to Stevie Wonder's experi