The Girl From Ipanema

The Girl From Ipanema

Stan Getz

From the album

Remembering the ’60s (1962)

Written by

Antônio Carlos Jobim, Norman Gimbel, Vinícius de Moraes

Key:F Major
BPM:129
Duration:5:22

Listen to the Song

Summary

Originally released in 1964, this track ignited a global bossa nova craze and remains one of the most recorded pop songs in history. It masterfully blends Brazilian samba rhythms with the 'cool' jazz aesthetic of the 1960s to create a sophisticated, laid-back masterpiece.

Bossa NovaCool JazzLatin JazzBrazilianLounge

Musical Analysis

The harmony is characterized by the 'Bossa Nova' sound: a combination of lush Jazz extensions (9ths, 13ths) and complex chromatic transitions. Unlike standard pop, it avoids the V7-I cadence in favor of the tritone substitute (bII7-I) and features a bridge tha…

Structure:Intro-Verse-Bridge-Verse-Verse-Bridge-Verse-Solo-Outro

Chords

verse:Fmaj7 - G7 - Gm7 - Gb7 - Fmaj7
bridge:Gbmaj7 - B9 - F#m7 - D9 - Gmaj7 - Eb9 - Gm7 - C7b9

History

The song was written by Antônio Carlos Jobim and Vinícius de Moraes in 1962. Originally titled 'Menina que Passa', it was intended for a musical comedy called 'Blimp'. Norman Gimbel later wrote the English lyrics, which helped it achieve international fame.

“Astrud Gilberto was not originally intended to be on the track and received no credit on the initial album release.”

📝 Lyrics

melancholic · serene · wistful

Theme

Unrequited admiration and the ephemeral nature of beauty

Surface

An observer watches a beautiful young woman walk past him toward the sea every day, but she never notices his existence.

Deeper meaning

The song explores the existential distance between the observer and the observed. It captures the 'saudade'—a Portuguese word for a deep emotional state of nostalgic longing—reflecting how beauty can inspire both joy in the viewer and a profound sense of loneliness because that beauty is unattainable and fleeting.

Symbols

The SeaThe Golden SunThe Walk/Swing

Full Musical Analysis

The harmony is characterized by the 'Bossa Nova' sound: a combination of lush Jazz extensions (9ths, 13ths) and complex chromatic transitions. Unlike standard pop, it avoids the V7-I cadence in favor of the tritone substitute (bII7-I) and features a bridge that travels through distant tonal centers via parallel movement, making it highly sophisticated for a popular song.

The song was written by Antônio Carlos Jobim and Vinícius de Moraes in 1962. Originally titled 'Menina que Passa', it was intended for a musical comedy called 'Blimp'. Norman Gimbel later wrote the English lyrics, which helped it achieve international fame.

Originally released in 1964, this track ignited a global bossa nova craze and remains one of the most recorded pop songs in history. It masterfully blends Brazilian samba rhythms with the 'cool' jazz aesthetic of the 1960s to create a sophisticated, laid-back masterpiece.

Song DNA

Genre

Jazz

Era

60s

Mood

Peaceful

Tempo

Mid-tempo

Key

Major

Texture

Sparse

Sound

Acoustic

Feel

Syncopated

Explore More

Listen & Learn

Statistics

51K

Plays

9K

Listeners

584K

Genius Views

10

Annotations

94%

Popularity

5:22

Duration

129

BPM

4/4

Time

Credits

Written by

Antônio Carlos JobimNorman GimbelVinícius de Moraes

Produced by

Creed Taylor

Featuring

Antônio Carlos JobimAstrud Gilberto

From the album Getz/Gilberto