Song DNA
Genre
New Wave
Era
80s
Mood
Euphoric
Tempo
Mid-tempo
Key
G Major
Texture
Layered
Sound
Piano-led
Feel
Straight
Released as the fourth single from the landmark 1985 album Songs from the Big Chair, the track reached #3 on the Billboard Hot 100. It evolved over two years from a musical motif in the song 'Broken' and remains a pop culture staple due to its library-set music video and use in the film Donnie Darko.
The song's harmony is defined by its relationship with the track 'Broken,' utilizing a circle of fourths (C-F-Bb-Eb) that introduces flat-side accidentals into a C major context. The contrast between the static, pedal-heavy verses and the moving diatonic choru…
The song took approximately two years to develop. It was initially conceived as a musical segue between tracks on the album 'Songs from the Big Chair,' specifically linked to the track 'Broken.' Because both 'Head over Heels' and 'Broken' shared a primary pian…
“The song is written in the key of G major at a tempo of 95 beats per minute.”
The song's harmony is defined by its relationship with the track 'Broken,' utilizing a circle of fourths (C-F-Bb-Eb) that introduces flat-side accidentals into a C major context. The contrast between the static, pedal-heavy verses and the moving diatonic chorus provides the track with its signature 80s sophisticated pop structure. The transition into the outro represents a permanent shift toward the dominant key (G Major), which serves as a thematic bookend to the album's larger harmonic arc.
The song took approximately two years to develop. It was initially conceived as a musical segue between tracks on the album 'Songs from the Big Chair,' specifically linked to the track 'Broken.' Because both 'Head over Heels' and 'Broken' shared a primary piano and synthesizer motif, they were frequently performed together in live concerts, an arrangement that was eventually preserved on the studio album where 'Broken' leads directly into 'Head over Heels.'
Released as the fourth single from the landmark 1985 album Songs from the Big Chair, the track reached #3 on the Billboard Hot 100. It evolved over two years from a musical motif in the song 'Broken' and remains a pop culture staple due to its library-set music video and use in the film Donnie Darko.
Detailed analysis of this section is not yet available for this song.
Genre
New Wave
Era
80s
Mood
Euphoric
Tempo
Mid-tempo
Key
G Major
Texture
Layered
Sound
Piano-led
Feel
Straight
9.3M
Plays
1.1M
Listeners
373K
Genius Views
12
Annotations
100%
Popularity
5:02
Duration
4/4
Time
Pre-chorus
Bridge
Chorus
Verse
N/A
N/A
Chords Cmaj7 ✕ F/C N/A Dm7 ✕ ✕ G C ✕ G/B N/A Am7 ✕ F D ✕ ✕ Bb ✕ Eb ✕ ✕ Cmaj7 F/C Dm7 G C G/B Am7 F D Bb Eb Harmony The song's harmony is defined by its relationship with the track 'Broken,' utilizing a circle of fourths (C-F-Bb-Eb) that introduces flat-side accidentals into a C major context. The contrast between the static, pedal-heavy verses and the moving diatonic chorus provides the track with its signature 80s sophisticated pop structure. The transition into the outro represents a permanent shift toward the dominant key (G Major), which serves as a thematic bookend to the album's larger harmonic arc. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Chord Diagrams Cmaj7 ✕ F/C N/A Dm7 ✕ ✕ G C ✕ G/B N/A Am7 ✕ F D ✕ ✕ Bb ✕ Eb ✕ ✕
Composition The song took approximately two years to develop. It was initially conceived as a musical segue between tracks on the album 'Songs from the Big Chair,' specifically linked to the track 'Broken.' Because both 'Head over Heels' and 'Broken' shared a primary piano and synthesizer motif, they were frequently performed together in live concerts, an arrangement that was eventually preserved on the studio album where 'Broken' leads directly into 'Head over Heels.' Inspiration: Roland Orzabal has described the track as probably the closest the band will ever get to a traditional love song. The musical motif was originally created by Ian Stanley, which Orzabal later developed with lyrics and a melody. Recording Studio: Wool Hall Producer: Chris Hughes The song is written in the key of G major at a tempo of 95 beats per minute. The track features bassist Curt Smith on lead vocals for the B-side, 'When in Love with a Blind Man,' which utilizes a synthesized shakuhachi flute. The music video was filmed at the Emmanuel College Library in Toronto, Ontario, Canada, and features a chimpanzee wearing a Red Sox jersey.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions C I T F/C IV/I Dm7 ii7 P G V D Am7 vi7 T F IV P Bb bVII D Eb bIII T Progression by Section Pre-chorus Dm7 ii7 P G V D Dm7 ii7 P G V D Bridge D II D C I T G V D D II C I G V Chorus C I T G/B V/vii D Am7 vi7 T G V D F IV P G V D Verse Cmaj7 Imaj7 T F/C IV/I P Cmaj7 Imaj7 T F/C IV/I P Chord Diagrams Cmaj7 ✕ F/C N/A Dm7 ✕ ✕ G C ✕ G/B N/A Am7 ✕ F D ✕ ✕ Bb ✕ Eb ✕ ✕ Harmony Analysis The song's harmony is defined by its relationship with the track 'Broken,' utilizing a circle of fourths (C-F-Bb-Eb) that introduces flat-side accidentals into a C major context. The contrast between the static, pedal-heavy verses and the moving diatonic chorus provides the track with its signature 80s sophisticated pop structure. The transition into the outro represents a permanent shift toward the dominant key (G Major), which serves as a thematic bookend to the album's larger harmonic arc. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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