
Listen to the Song
Song DNA
Genre
Baroque Pop
Era
60s
Mood
Peaceful
Tempo
Slow
Key
Major/Minor
Texture
Layered
Sound
Piano-led
Feel
Straight

The Beatles
Tripping (1967)
Paul McCartney, John Lennon
Written by Paul McCartney for the 1967 Magical Mystery Tour project, the song utilizes a unique ensemble of flutes and harmonicas to create a dreamlike atmosphere. It is famously characterized by its transition between D major verses and D minor choruses, reflecting the 'wise fool' theme inspired by the Maharishi Mahesh Yogi.
The song's primary harmonic interest lies in the fluid movement between D major and its parallel minor, D minor. While the verse is grounded in traditional functional harmony (ii-V-I), the chorus adopts a more modal character. This duality mirrors the lyrical…
Paul McCartney composed the song at his father's house in Liverpool. He initially presented the melody to John Lennon in March 1967 during a session for 'With a Little Help from My Friends,' though the lyrics remained unfinished until September. Lennon praised…
“The song features alternations between D major and D minor.”
The song's primary harmonic interest lies in the fluid movement between D major and its parallel minor, D minor. While the verse is grounded in traditional functional harmony (ii-V-I), the chorus adopts a more modal character. This duality mirrors the lyrical theme of the 'fool'—someone who appears simple or 'minor' to the outside world but possesses a 'major' inner clarity. The inclusion of the flute counter-melodies adds a layer of sophisticated polyphony over these relatively straightforward chord changes.
Paul McCartney composed the song at his father's house in Liverpool. He initially presented the melody to John Lennon in March 1967 during a session for 'With a Little Help from My Friends,' though the lyrics remained unfinished until September. Lennon praised the lyrics in 1980, noting they proved McCartney's ability to write complete songs.
Written by Paul McCartney for the 1967 Magical Mystery Tour project, the song utilizes a unique ensemble of flutes and harmonicas to create a dreamlike atmosphere. It is famously characterized by its transition between D major verses and D minor choruses, reflecting the 'wise fool' theme inspired by the Maharishi Mahesh Yogi.
Detailed analysis of this section is not yet available for this song.
Genre
Baroque Pop
Era
60s
Mood
Peaceful
Tempo
Slow
Key
Major/Minor
Texture
Layered
Sound
Piano-led
Feel
Straight
139K
Plays
26K
Listeners
173K
Genius Views
16
Annotations
100%
Popularity
3:02
Duration
4/4
Time
From the album Tripping
Chorus
Verse
N/A
N/A
Chords D ✕ ✕ Em7/D N/A Em7 A7 ✕ Bm7 ✕ Dm ✕ ✕ Gm7 N/A C ✕ D Em7/D Em7 A7 Bm7 Dm Gm7 C Harmony The song's primary harmonic interest lies in the fluid movement between D major and its parallel minor, D minor. While the verse is grounded in traditional functional harmony (ii-V-I), the chorus adopts a more modal character. This duality mirrors the lyrical theme of the 'fool'—someone who appears simple or 'minor' to the outside world but possesses a 'major' inner clarity. The inclusion of the flute counter-melodies adds a layer of sophisticated polyphony over these relatively straightforward chord changes. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Chord Diagrams D ✕ ✕ Em7/D N/A Em7 A7 ✕ Bm7 ✕ Dm ✕ ✕ Gm7 N/A C ✕
Composition Paul McCartney composed the song at his father's house in Liverpool. He initially presented the melody to John Lennon in March 1967 during a session for 'With a Little Help from My Friends,' though the lyrics remained unfinished until September. Lennon praised the lyrics in 1980, noting they proved McCartney's ability to write complete songs. Inspiration: The song was inspired by the Dutch design collective 'The Fool' and the tarot card of the same name. McCartney also cited the Maharishi Mahesh Yogi as a potential influence, viewing the character as a guru figure who remains still despite being misunderstood. Additionally, Alistair Taylor recalled an incident involving a mysterious man who appeared and disappeared on Primrose Hill during a conversation about God. Recording Producer: George Martin The song features alternations between D major and D minor. Instruments include flutes played by Christopher Taylor, Richard Taylor, and Jack Ellory. The arrangement includes a Schiedmayer Celesta and a Challen Upright piano.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions D I T Em7 ii7 P A7 V7 D Bm7 vi7 T Dm i T Gm7 iv7 P C bVII D Progression by Section Chorus Dm i T Gm7 iv7 P Dm i T Gm7 iv7 P C bVII T Dm i T Verse D I T Em7/D ii7 P D I T Em7/D ii7 P Em7 ii7 P A7 V7 D D I T Bm7 vi7 T Em7 ii7 P A7 V7 D D I T Chord Diagrams D ✕ ✕ Em7/D N/A Em7 A7 ✕ Bm7 ✕ Dm ✕ ✕ Gm7 N/A C ✕ Harmony Analysis The song's primary harmonic interest lies in the fluid movement between D major and its parallel minor, D minor. While the verse is grounded in traditional functional harmony (ii-V-I), the chorus adopts a more modal character. This duality mirrors the lyrical theme of the 'fool'—someone who appears simple or 'minor' to the outside world but possesses a 'major' inner clarity. The inclusion of the flute counter-melodies adds a layer of sophisticated polyphony over these relatively straightforward chord changes. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
🎶 Similar Tracks Strawberry Fields Forever The Beatles Only a Northern Song The Beatles Time of the Season (stereo) The Zombies Keep On Running The Spencer Davis Group Cryin' To Be Heard Traffic Mellow Yellow Donovan 🎤 More by The Beatles Here Comes the Sun - Remastered 2009 13.7M plays Hey Jude 9.5M plays Eleanor Rigby 9.5M plays Come Together 8.9M plays Let It Be 9.2M plays Come Together - Remastered 2009 8.5M plays View all The Beatles songs → Related Articles THEORY El arte de la repeticion musical: como los grandes temas hacen que el bucle no aburra Por que la repeticion es el motor oculto de la musica memorable, y como The Beatles, Radiohead y otros la usan para cons THEORY The Art of Musical Repetition: How Great Songs Loop Without Losing You Why repetition is the hidden engine of memorable music, and how The Beatles, Radiohead, and others use it to build meani Lyrics View Lyrics on Genius
Strawberry Fields ForeverThe BeatlesOnly a Northern SongThe BeatlesTime of the Season (stereo)The ZombiesKeep On RunningThe Spencer Davis GroupCryin' To Be HeardTrafficMellow YellowDonovanHere Comes the Sun - Remastered 200913.7M playsHey Jude9.5M playsEleanor Rigby9.5M playsCome Together8.9M playsLet It Be9.2M playsCome Together - Remastered 20098.5M playsView all The Beatles songs →theoryEl arte de la repeticion musical: como los grandes temas hacen que el bucle no aburraPor que la repeticion es el motor oculto de la musica memorable, y como The Beatles, Radiohead y otros la usan para constheoryThe Art of Musical Repetition: How Great Songs Loop Without Losing YouWhy repetition is the hidden engine of memorable music, and how The Beatles, Radiohead, and others use it to build meani