
Listen to the Song
Song DNA
Genre
Pop Rock
Era
60s
Mood
Bittersweet
Tempo
Upbeat
Key
Major
Texture
Full Band
Sound
Guitar-driven
Feel
Driving

The Monkees
Tommy Boyce, Bobby Hart
Released in 1966, this debut single catapulted The Monkees to stardom by reaching number one on the Billboard Hot 100. Written by Tommy Boyce and Bobby Hart, the track utilized a driving guitar riff to emulate the British Invasion sound while masking a poignant protest message within its lyrics.
The song's harmony is defined by its refusal to use a traditional V (D major) dominant chord. Instead, it utilizes G Mixolydian, relying on the bVII (F) to create harmonic motion. This approach reflects the influence of 1966-era Beatles compositions, where blu…
The song depicts a man calling the woman he loves, asking her to meet him at a train station before he departs for what might be an permanent absence. Although war is not explicitly mentioned, the final lyric, 'And I don't know if I'm ever coming home,' serves…
“Micky Dolenz is the only member of The Monkees to appear on the track.”
The song's harmony is defined by its refusal to use a traditional V (D major) dominant chord. Instead, it utilizes G Mixolydian, relying on the bVII (F) to create harmonic motion. This approach reflects the influence of 1966-era Beatles compositions, where blues-based structures were merged with pop sensibilities. The primary tension arises from the iconic guitar riff's use of the flat seventh, which dictates the entire harmonic vocabulary of the track.
The song depicts a man calling the woman he loves, asking her to meet him at a train station before he departs for what might be an permanent absence. Although war is not explicitly mentioned, the final lyric, 'And I don't know if I'm ever coming home,' serves as an indirect reference to a soldier leaving for the Vietnam War.
Released in 1966, this debut single catapulted The Monkees to stardom by reaching number one on the Billboard Hot 100. Written by Tommy Boyce and Bobby Hart, the track utilized a driving guitar riff to emulate the British Invasion sound while masking a poignant protest message within its lyrics.
Detailed analysis of this section is not yet available for this song.
Genre
Pop Rock
Era
60s
Mood
Bittersweet
Tempo
Upbeat
Key
Major
Texture
Full Band
Sound
Guitar-driven
Feel
Driving
583K
Plays
168K
Listeners
28K
Genius Views
3
Annotations
100%
Popularity
2:42
Duration
4/4
Time
Bridge
Chorus
Verse
Chords G7 G C7 ✕ F G7 G C7 F Harmony The song's harmony is defined by its refusal to use a traditional V (D major) dominant chord. Instead, it utilizes G Mixolydian, relying on the bVII (F) to create harmonic motion. This approach reflects the influence of 1966-era Beatles compositions, where blues-based structures were merged with pop sensibilities. The primary tension arises from the iconic guitar riff's use of the flat seventh, which dictates the entire harmonic vocabulary of the track. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Composition The song depicts a man calling the woman he loves, asking her to meet him at a train station before he departs for what might be an permanent absence. Although war is not explicitly mentioned, the final lyric, 'And I don't know if I'm ever coming home,' serves as an indirect reference to a soldier leaving for the Vietnam War. Inspiration: Bobby Hart misheard the lyrics of the Beatles' 'Paperback Writer' and thought Paul McCartney was singing 'take the last train.' Hart decided to use the phrase himself. The name 'Clarksville' was derived from Clarkdale, Arizona, and chosen primarily because it sounded good, though the proximity of Clarksville, Tennessee, to the Fort Campbell army base accidentally fit the soldier narrative. Recording Studio: RCA Victor Studio B in Hollywood Producer: Tommy Boyce and Bobby Hart Micky Dolenz is the only member of The Monkees to appear on the track. Louis Shelton's opening guitar riff was specifically designed to emulate the identifiable riffs used by the Beatles in tracks like 'Day Tripper' and 'Paperback Writer'. The B-side to the single was 'Take a Giant Step,' which critic Eric Lefcowitz described as proto-psychedelic.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions G7 I7 T C7 IV7 P F bVII D G I T Progression by Section Bridge G I T F bVII T G I T F bVII T Chorus G I T C7 IV7 P G I T C7 IV7 P Verse G7 I7 T Chord Diagrams G7 G C7 ✕ F Harmony Analysis The song's harmony is defined by its refusal to use a traditional V (D major) dominant chord. Instead, it utilizes G Mixolydian, relying on the bVII (F) to create harmonic motion. This approach reflects the influence of 1966-era Beatles compositions, where blues-based structures were merged with pop sensibilities. The primary tension arises from the iconic guitar riff's use of the flat seventh, which dictates the entire harmonic vocabulary of the track. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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Pleasant Valley SundayThe MonkeesDaydream BelieverThe MonkeesTired of Waiting for YouThe KinksMonday, MondayThe Mamas & the PapasMr. Tambourine ManThe ByrdsGood VibrationsThe Beach BoysDaydream Believer2.8M playsI'm a Believer2.2M playsI'm a Believer - 2006 Remaster2.5M playsLast Train to Clarksville583K playsMe & Magdalena816K plays(Theme From) The Monkees256K playsView all The Monkees songs →