
Listen to the Song
Song DNA
Genre
Rock
Era
80s
Mood
Melancholic
Tempo
Upbeat
Key
Major
Texture
Full Band
Sound
Guitar-driven
Feel
Syncopated

The Smiths
This Charming Man (1983)
Morrissey, Johnny Marr
Released in 1983 as The Smiths' second single, "This Charming Man" paired Johnny Marr's iconic jangly guitar work with Morrissey's vulnerable, literary vocals to create a defining anthem of the UK indie movement. Its blend of upbeat musicality with themes of longing and sexual ambiguity established a template that influenced decades of British guitar pop.
The harmony of 'This Charming Man' derives its distinctive character from the interplay between A major and its relative minor F#m. Marr's arpeggiated guitar technique creates the illusion of greater harmonic complexity by spreading simple chord voicings acros…
Johnny Marr wrote the music specifically for a John Peel Session on BBC Radio 1, composing it on the same night he wrote "Still Ill" and "Pretty Girls Make Graves". Feeling competitive after Rough Trade label mates Aztec Camera received daytime radio play with…
“The band recorded three distinct versions: the Peel Session, the rejected 'London version', and the released Strawberry Studios version”
The harmony of 'This Charming Man' derives its distinctive character from the interplay between A major and its relative minor F#m. Marr's arpeggiated guitar technique creates the illusion of greater harmonic complexity by spreading simple chord voicings across time, with open strings ringing as pedal tones against moving inner voices. The result is a shimmering, jangly texture that became the defining sound of indie pop guitar.
Johnny Marr wrote the music specifically for a John Peel Session on BBC Radio 1, composing it on the same night he wrote "Still Ill" and "Pretty Girls Make Graves". Feeling competitive after Rough Trade label mates Aztec Camera received daytime radio play with "Walk Out to Winter", Marr deliberately crafted an upbeat song in a major key to give The Smiths a potential chart hit. Morrissey wrote lyrics evoking an older, more coded and self-aware underground scene, feeling detached from early 1980s mainstream gay culture.
Released in 1983 as The Smiths' second single, "This Charming Man" paired Johnny Marr's iconic jangly guitar work with Morrissey's vulnerable, literary vocals to create a defining anthem of the UK indie movement. Its blend of upbeat musicality with themes of longing and sexual ambiguity established a template that influenced decades of British guitar pop.
Detailed analysis of this section is not yet available for this song.
Genre
Rock
Era
80s
Mood
Melancholic
Tempo
Upbeat
Key
Major
Texture
Full Band
Sound
Guitar-driven
Feel
Syncopated
8.2M
Plays
867K
Listeners
663K
Genius Views
8
Annotations
100%
Popularity
2:41
Duration
4/4
Time
From the album The Smiths
Chorus
Verse
Chords A ✕ E F#m D ✕ ✕ A E F#m D Harmony The harmony of 'This Charming Man' derives its distinctive character from the interplay between A major and its relative minor F#m. Marr's arpeggiated guitar technique creates the illusion of greater harmonic complexity by spreading simple chord voicings across time, with open strings ringing as pedal tones against moving inner voices. The result is a shimmering, jangly texture that became the defining sound of indie pop guitar. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Composition Johnny Marr wrote the music specifically for a John Peel Session on BBC Radio 1, composing it on the same night he wrote "Still Ill" and "Pretty Girls Make Graves". Feeling competitive after Rough Trade label mates Aztec Camera received daytime radio play with "Walk Out to Winter", Marr deliberately crafted an upbeat song in a major key to give The Smiths a potential chart hit. Morrissey wrote lyrics evoking an older, more coded and self-aware underground scene, feeling detached from early 1980s mainstream gay culture. Inspiration: Marr's competitive desire to match Aztec Camera's radio success, combined with Morrissey's wish to portray male vulnerability and a coded queer sensibility distinct from mainstream 80s gay culture. Recording Studio: Strawberry Studios, Stockport (released version); Matrix Studios, London (rejected 'London version') Producer: John Porter The band recorded three distinct versions: the Peel Session, the rejected 'London version', and the released Strawberry Studios version The Peel Session version was included on the 1984 compilation Hatful of Hollow
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions F#m vi T D IV P A I T E V D Progression by Section Chorus A I T E V D F#m vi D IV P Verse F#m vi D IV P A I T E V D Chord Diagrams A ✕ E F#m D ✕ ✕ Harmony Analysis The harmony of 'This Charming Man' derives its distinctive character from the interplay between A major and its relative minor F#m. Marr's arpeggiated guitar technique creates the illusion of greater harmonic complexity by spreading simple chord voicings across time, with open strings ringing as pedal tones against moving inner voices. The result is a shimmering, jangly texture that became the defining sound of indie pop guitar. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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Heaven Knows I'm Miserable NowThe SmithsStill IllThe SmithsJust Like HeavenThe CureSuedeheadMorrisseyBoys Don't CryThe CureLove Will Tear Us ApartJoy DivisionThere Is a Light That Never Goes Out - 2011 Remaster31.2M playsHeaven Knows I'm Miserable Now - 2011 Remaster26.0M playsThis Charming Man - 2011 Remaster25.5M playsPlease, Please, Please, Let Me Get What I Want - 2011 Remaster21.5M playsBack to the Old House - 2011 Remaster23.3M playsThis Night Has Opened My Eyes - 2011 Remaster20.3M playsView all The Smiths songs →