What’s Going On

Marvin Gaye

From the album

What’s Going On (1975)

Written by

Marvin Gaye, Renaldo Benson, Al Cleveland

Key:E major
Duration:3:53

Listen to the Song

Summary

Released in 1971, this track signaled Marvin Gaye's transition from a pop hitmaker to a socially conscious auteur. It blends lush orchestral arrangements with legendary bass work and multitracked vocals to address issues of police brutality and war.

SoulMotownSocial Commentary70s ClassicsR&B

Musical Analysis

The harmony of 'What's Going On' is a landmark in the evolution of Soul music, moving away from simple triads toward a jazz-influenced vocabulary. While it uses the basic '50s progression' framework (I-vi-ii-V), the specific use of Major 7ths and dominant 11th…

Chords

verse:Emaj7 - C#m7
chorus:F#m7 - B7 - F#m7 - B7 - Emaj7 - C#m7
bridge:F#m7 - B11 - F#m7 - B11 - Amaj7 - B11

History

Renaldo 'Obie' Benson of the Four Tops witnessed a police brutality incident involving anti-war protesters at Berkeley's People's Park on 'Bloody Thursday'. He wrote the initial song with Al Cleveland, but his fellow Four Tops members declined to record a 'pro…

“The background 'party' chatter features Detroit Lions players Lem Barney and Mel Farr.”

Full Musical Analysis

The harmony of 'What's Going On' is a landmark in the evolution of Soul music, moving away from simple triads toward a jazz-influenced vocabulary. While it uses the basic '50s progression' framework (I-vi-ii-V), the specific use of Major 7ths and dominant 11th/sus chords creates a 'floating' harmonic quality. This matches the social commentary of the lyrics—urgent yet peaceful. The bass line by James Jamerson provides a contrapuntal movement that makes the relatively simple two-chord vamps feel harmonically dense and constantly evolving.

Renaldo 'Obie' Benson of the Four Tops witnessed a police brutality incident involving anti-war protesters at Berkeley's People's Park on 'Bloody Thursday'. He wrote the initial song with Al Cleveland, but his fellow Four Tops members declined to record a 'protest song'. Benson presented it to Marvin Gaye, who initially wanted to produce it for The Originals but was eventually persuaded to record it himself. Gaye significantly revised the melody and lyrics to reflect his own perspective on the Vietnam War and social unrest.

Released in 1971, this track signaled Marvin Gaye's transition from a pop hitmaker to a socially conscious auteur. It blends lush orchestral arrangements with legendary bass work and multitracked vocals to address issues of police brutality and war.

Deep Analysis Available

Detailed analysis of this section is not yet available for this song.

Song DNA

Genre

Soul

Era

70s

Mood

Reflective

Tempo

Mid-tempo

Key

Major

Texture

Layered

Sound

Vocal-focused

Feel

Groovy

Explore More

Listen & Learn

Statistics

7.2M

Plays

1.1M

Listeners

816K

Genius Views

18

Annotations

100%

Popularity

3:53

Duration

4/4

Time

Credits

Written by

Marvin GayeRenaldo BensonAl Cleveland

Produced by

Marvin Gaye

From the album The Master (1961-1984)

Live albums

  • In Concert in the ’80s1995
  • The Midnight Lover - LIVE1996