Song DNA
Genre
Rock/Pop
Era
80s
Mood
Aggressive
Tempo
Upbeat
Key
Minor
Texture
Layered
Sound
Guitar-driven
Feel
Groovy
As a cornerstone of the record-breaking 'Thriller' album, 'Beat It' successfully merged hard rock and dance-pop, featuring a career-defining solo by Eddie Van Halen. The track served as a cultural bridge, breaking racial barriers on radio and MTV with its anti-violence message and aggressive energy.
Pre chorus
Chorus
Verse
Beat It is a definitive example of the 'Rock-Pop' crossover. Harmonically, it stays strictly within the Eb Aeolian (Natural Minor) scale, eschewing the traditional leading tone (D natural) or V chord (Bb major) found in minor-key classical harmony. This create…
Quincy Jones wanted a rock song for the 'Thriller' album, specifically suggesting a track with the energy of The Knack's 'My Sharona'. Michael Jackson went home and composed the riff and melody. He played the drum parts and sang the guitar lines into a tape re…
“The knocking sound heard before the guitar solo is Michael Jackson hitting a drum case.”
Beat It is a definitive example of the 'Rock-Pop' crossover. Harmonically, it stays strictly within the Eb Aeolian (Natural Minor) scale, eschewing the traditional leading tone (D natural) or V chord (Bb major) found in minor-key classical harmony. This creates a modal, 'heavy' sound that bridges the gap between Michael Jackson's R&B roots and the hard rock style requested by Quincy Jones. The simplicity of the i-VII-VI movement allows the rhythmic syncopation and Eddie Van Halen's blues-inflected solo to take center stage.
Quincy Jones wanted a rock song for the 'Thriller' album, specifically suggesting a track with the energy of The Knack's 'My Sharona'. Michael Jackson went home and composed the riff and melody. He played the drum parts and sang the guitar lines into a tape recorder to demonstrate the arrangement to the musicians.
As a cornerstone of the record-breaking 'Thriller' album, 'Beat It' successfully merged hard rock and dance-pop, featuring a career-defining solo by Eddie Van Halen. The track served as a cultural bridge, breaking racial barriers on radio and MTV with its anti-violence message and aggressive energy.
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Genre
Rock/Pop
Era
80s
Mood
Aggressive
Tempo
Upbeat
Key
Minor
Texture
Layered
Sound
Guitar-driven
Feel
Groovy
18.7M
Plays
2.6M
Listeners
917K
Genius Views
14
Annotations
100%
Popularity
4:18
Duration
4/4
Time
From the album Thriller
Chords B ✕ Db 4 ✕ Ebm ✕ ✕ B Db Ebm Harmony Beat It is a definitive example of the 'Rock-Pop' crossover. Harmonically, it stays strictly within the Eb Aeolian (Natural Minor) scale, eschewing the traditional leading tone (D natural) or V chord (Bb major) found in minor-key classical harmony. This creates a modal, 'heavy' sound that bridges the gap between Michael Jackson's R&B roots and the hard rock style requested by Quincy Jones. The simplicity of the i-VII-VI movement allows the rhythmic syncopation and Eddie Van Halen's blues-inflected solo to take center stage. Some sections are still pending 6 of 12 sections are ready. Ask for the rest and this song moves up our analysis queue. Request the full analysis
Composition Quincy Jones wanted a rock song for the 'Thriller' album, specifically suggesting a track with the energy of The Knack's 'My Sharona'. Michael Jackson went home and composed the riff and melody. He played the drum parts and sang the guitar lines into a tape recorder to demonstrate the arrangement to the musicians. Inspiration: Quincy Jones' suggestion to include a 'black' version of a rock song that would appeal to a broad demographic, including rock fans. Recording Studio: Westlake Recording Studios Producer: Quincy Jones, Michael Jackson The knocking sound heard before the guitar solo is Michael Jackson hitting a drum case. Eddie Van Halen's solo supposedly caused a monitor speaker in the control room to catch fire during recording. Van Halen was not paid for his contribution, famously stating he did it as a favor and for the 'beer' provided in the studio.
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Copy chords Reset Chords Used Hide functions Ebm i T Db VII D B VI T Progression by Section Pre chorus B VI Db VII T Ebm i T Chorus Ebm i T Db VII T B VI Db VII T Verse Ebm i T Db VII T Chord Diagrams B ✕ Db 4 ✕ Ebm ✕ ✕ Harmony Analysis Beat It is a definitive example of the 'Rock-Pop' crossover. Harmonically, it stays strictly within the Eb Aeolian (Natural Minor) scale, eschewing the traditional leading tone (D natural) or V chord (Bb major) found in minor-key classical harmony. This creates a modal, 'heavy' sound that bridges the gap between Michael Jackson's R&B roots and the hard rock style requested by Quincy Jones. The simplicity of the i-VII-VI movement allows the rhythmic syncopation and Eddie Van Halen's blues-inflected solo to take center stage. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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