Song DNA
Genre
Pop
Era
90s
Mood
Uplifting
Tempo
Upbeat
Key
Major
Texture
Full Band
Sound
Guitar-driven
Feel
Groovy
Released in 1991 as the lead single from Dangerous, 'Black or White' fused hard rock guitar riffs with pop hooks and a rap breakdown to deliver a message of racial unity. It became the fastest song to reach #1 on the Billboard Hot 100 since the Beatles' 'Get Back' and was the best-selling single worldwide of 1992.
The harmony of 'Black or White' is deliberately straightforward, built on the classic I-IV-V rock framework in E major. This simplicity is a conscious choice — Bottrell and Jackson aimed for an accessible rock 'n' roll dance song, and the no-frills chord struc…
Michael Jackson hummed the main guitar riff to producer Bill Bottrell in early 1989 at Westlake Audio in West Hollywood. Bottrell interpreted the melody on a Kramer American Series electric guitar through a Mesa Boogie amplifier. Jackson also vocalized the son…
“Jackson's original scratch vocal from the very first recording session was never replaced and appears on the final released version”
The harmony of 'Black or White' is deliberately straightforward, built on the classic I-IV-V rock framework in E major. This simplicity is a conscious choice — Bottrell and Jackson aimed for an accessible rock 'n' roll dance song, and the no-frills chord structure gives the track its universal, anthemic quality. The blues influence shows in the power chord voicings and the IV-V-IV turnaround, while the lack of minor chords reinforces the song's optimistic, unifying message.
Michael Jackson hummed the main guitar riff to producer Bill Bottrell in early 1989 at Westlake Audio in West Hollywood. Bottrell interpreted the melody on a Kramer American Series electric guitar through a Mesa Boogie amplifier. Jackson also vocalized the song's rhythm, which Bottrell programmed into an E-mu Systems drum machine and augmented with Emulator III samples. The song was written and refined over approximately 18 months.
Released in 1991 as the lead single from Dangerous, 'Black or White' fused hard rock guitar riffs with pop hooks and a rap breakdown to deliver a message of racial unity. It became the fastest song to reach #1 on the Billboard Hot 100 since the Beatles' 'Get Back' and was the best-selling single worldwide of 1992.
Detailed analysis of this section is not yet available for this song.
Genre
Pop
Era
90s
Mood
Uplifting
Tempo
Upbeat
Key
Major
Texture
Full Band
Sound
Guitar-driven
Feel
Groovy
7.0M
Plays
1.2M
Listeners
906K
Genius Views
15
Annotations
100%
Popularity
4:16
Duration
4/4
Time
From the album Black or White
Chorus
Verse
Chords E A ✕ B ✕ E A B Harmony The harmony of 'Black or White' is deliberately straightforward, built on the classic I-IV-V rock framework in E major. This simplicity is a conscious choice — Bottrell and Jackson aimed for an accessible rock 'n' roll dance song, and the no-frills chord structure gives the track its universal, anthemic quality. The blues influence shows in the power chord voicings and the IV-V-IV turnaround, while the lack of minor chords reinforces the song's optimistic, unifying message. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Composition Michael Jackson hummed the main guitar riff to producer Bill Bottrell in early 1989 at Westlake Audio in West Hollywood. Bottrell interpreted the melody on a Kramer American Series electric guitar through a Mesa Boogie amplifier. Jackson also vocalized the song's rhythm, which Bottrell programmed into an E-mu Systems drum machine and augmented with Emulator III samples. The song was written and refined over approximately 18 months. Inspiration: Jackson conceived the song as a rock 'n' roll dance track about racial harmony, reflecting his longstanding commitment to unity and equality themes across racial and cultural lines. Recording Studio: Westlake Audio, West Hollywood, California Producer: Bill Bottrell, Michael Jackson Jackson's original scratch vocal from the very first recording session was never replaced and appears on the final released version Bill Bottrell performs the uncredited rap breakdown in the song
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions E I T A IV P B V D A IV P Progression by Section Chorus E I T A IV P B V D A IV P Verse E I T A IV P Chord Diagrams E A ✕ B ✕ Harmony Analysis The harmony of 'Black or White' is deliberately straightforward, built on the classic I-IV-V rock framework in E major. This simplicity is a conscious choice — Bottrell and Jackson aimed for an accessible rock 'n' roll dance song, and the no-frills chord structure gives the track its universal, anthemic quality. The blues influence shows in the power chord voicings and the IV-V-IV turnaround, while the lack of minor chords reinforces the song's optimistic, unifying message. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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