Song DNA
Genre
Pop
Era
80s
Mood
Uplifting
Tempo
Mid-tempo
Key
Major
Texture
Layered
Sound
Vocal-focused
Feel
Straight
Written by Glen Ballard and Siedah Garrett and produced by Jackson with Quincy Jones, "Man in the Mirror" was the fourth single from Jackson's 1987 album Bad. A swelling anthem of personal responsibility, it became his ninth US number-one and remains celebrated for its Andraé Crouch Choir finale and its dramatic semitone modulation.
Harmonically the song is rooted in straightforward diatonic G major with a gospel-pop cadential feel, but its signature device is the dramatic semitone key change into the final choruses — widely cited as one of the most effective key changes in pop, lifting t…
The song was written by Glen Ballard and Siedah Garrett. Quincy Jones, Jackson's producer, invited Garrett to his home along with other songwriters and asked them to write material for Jackson's next album, telling the group: "I just want hits, that's all I wa…
“Quincy Jones brought in the Andraé Crouch Choir for the gospel finale”
Harmonically the song is rooted in straightforward diatonic G major with a gospel-pop cadential feel, but its signature device is the dramatic semitone key change into the final choruses — widely cited as one of the most effective key changes in pop, lifting the energy as the choir enters.
The song was written by Glen Ballard and Siedah Garrett. Quincy Jones, Jackson's producer, invited Garrett to his home along with other songwriters and asked them to write material for Jackson's next album, telling the group: "I just want hits, that's all I want." Garrett took the brief to her writing partner Ballard, who began playing a keyboard figure while Garrett wrote the lyrics. They recorded a demo over the course of a week with Garrett on vocals; Jones approved it a few hours after she delivered the tape. At Jackson's request, Garrett and Ballard wrote a longer middle eight and modified the lyrics.
Written by Glen Ballard and Siedah Garrett and produced by Jackson with Quincy Jones, "Man in the Mirror" was the fourth single from Jackson's 1987 album Bad. A swelling anthem of personal responsibility, it became his ninth US number-one and remains celebrated for its Andraé Crouch Choir finale and its dramatic semitone modulation.
Detailed analysis of this section is not yet available for this song.
Genre
Pop
Era
80s
Mood
Uplifting
Tempo
Mid-tempo
Key
Major
Texture
Layered
Sound
Vocal-focused
Feel
Straight
5.9M
Plays
931K
Listeners
1.0M
Genius Views
17
Annotations
100%
Popularity
5:19
Duration
4/4
Time
From the album Bad
Chorus
Verse
Chords C ✕ D ✕ ✕ G C D G Harmony Harmonically the song is rooted in straightforward diatonic G major with a gospel-pop cadential feel, but its signature device is the dramatic semitone key change into the final choruses — widely cited as one of the most effective key changes in pop, lifting the energy as the choir enters. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Notify me when it's ready Request Full Analysis
Composition The song was written by Glen Ballard and Siedah Garrett. Quincy Jones, Jackson's producer, invited Garrett to his home along with other songwriters and asked them to write material for Jackson's next album, telling the group: "I just want hits, that's all I want." Garrett took the brief to her writing partner Ballard, who began playing a keyboard figure while Garrett wrote the lyrics. They recorded a demo over the course of a week with Garrett on vocals; Jones approved it a few hours after she delivered the tape. At Jackson's request, Garrett and Ballard wrote a longer middle eight and modified the lyrics. Inspiration: A call for personal responsibility — the idea that changing the world starts with changing oneself, the "man in the mirror." Recording Producer: Michael Jackson and Quincy Jones Quincy Jones brought in the Andraé Crouch Choir for the gospel finale Bruce Swedien handled recording and mixing; Bernie Grundman mastered the track
Chord Sheet Transpose 0 Capo 0 1 2 3 4 5 6 7 Auto-scroll Print Reset Chords Used Hide functions G I T C IV P D V D Progression by Section Chorus C IV P D V D G I T Verse G I T C IV P Chord Diagrams C ✕ D ✕ ✕ G Harmony Analysis Harmonically the song is rooted in straightforward diatonic G major with a gospel-pop cadential feel, but its signature device is the dramatic semitone key change into the final choruses — widely cited as one of the most effective key changes in pop, lifting the energy as the choir enters. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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