Song DNA
Genre
R&B
Era
2010s
Mood
Dark
Tempo
Mid-tempo
Key
Minor
Texture
Layered
Sound
Synth-heavy
Feel
Syncopated
Originally recorded in 1999 as 'She Was Loving Me,' this track was revitalized for the 2014 posthumous album Xscape. It captures Jackson's mature vocal era, blending a dark tale of romantic deception with polished, contemporary production that bridges his 90s sessions with modern sounds.
The harmony of 'Chicago' is defined by its use of the Natural Minor scale, avoiding the raised 7th (leading tone) except for moments of high tension in the pre-chorus. The 2014 contemporized version by Timbaland emphasizes the i-VI-iv-v loop, which is a staple…
Originally titled 'She Was Loving Me', the song was written by Cory Rooney. The narrative follows a man who meets a woman while traveling to Chicago; she leads him to believe she is single, but he later discovers she is married with a family, leading to feelin…
“The song was originally titled 'She Was Loving Me' and remained unheard by the public for 15 years.”
The harmony of 'Chicago' is defined by its use of the Natural Minor scale, avoiding the raised 7th (leading tone) except for moments of high tension in the pre-chorus. The 2014 contemporized version by Timbaland emphasizes the i-VI-iv-v loop, which is a staple in dark pop and hip-hop influenced R&B. This creates a hypnotic, driving feel that allows the vocal melody to take center stage. The harmonic language is more sophisticated than standard I-V-vi-IV pop because it utilizes the distinctive 'flavor' of the minor v chord and the bVII-i resolution.
Originally titled 'She Was Loving Me', the song was written by Cory Rooney. The narrative follows a man who meets a woman while traveling to Chicago; she leads him to believe she is single, but he later discovers she is married with a family, leading to feelings of guilt and betrayal.
Originally recorded in 1999 as 'She Was Loving Me,' this track was revitalized for the 2014 posthumous album Xscape. It captures Jackson's mature vocal era, blending a dark tale of romantic deception with polished, contemporary production that bridges his 90s sessions with modern sounds.
Detailed analysis of this section is not yet available for this song.
Genre
R&B
Era
2010s
Mood
Dark
Tempo
Mid-tempo
Key
Minor
Texture
Layered
Sound
Synth-heavy
Feel
Syncopated
12.1M
Plays
1.1M
Listeners
735K
Genius Views
5
Annotations
100%
Popularity
4:05
Duration
4/4
Time
From the album Xscape
Harmony The harmony of 'Chicago' is defined by its use of the Natural Minor scale, avoiding the raised 7th (leading tone) except for moments of high tension in the pre-chorus. The 2014 contemporized version by Timbaland emphasizes the i-VI-iv-v loop, which is a staple in dark pop and hip-hop influenced R&B. This creates a hypnotic, driving feel that allows the vocal melody to take center stage. The harmonic language is more sophisticated than standard I-V-vi-IV pop because it utilizes the distinctive 'flavor' of the minor v chord and the bVII-i resolution. Deep Analysis Available Detailed analysis of this section is not yet available for this song. Request Full Analysis
No musician information available for this song yet.
Composition Originally titled 'She Was Loving Me', the song was written by Cory Rooney. The narrative follows a man who meets a woman while traveling to Chicago; she leads him to believe she is single, but he later discovers she is married with a family, leading to feelings of guilt and betrayal. Inspiration: The song was inspired by the theme of a chance encounter and the subsequent discovery of a web of lies regarding the woman's marital status. Recording Studio: The Hit Factory Producer: Timbaland, Jerome 'J-Roc' Harmon, Cory Rooney, Michael Jackson The song was originally titled 'She Was Loving Me' and remained unheard by the public for 15 years. It was the first track recorded during the Invincible era sessions. The 2014 Xscape version features a modern trap-influenced beat produced by Timbaland.
Chord Sheet Chords Used Hide functions Dm i T Bb VI T Gm iv P Am v D Progression by Section PreChorus Bb VI P C VII D Bb VI P Asus4 Vsus4 D A V D Chorus Dm i T Bb VI P Gm iv P Am v D Verse Dm i T Gm iv P C VII D Dm i T Chord Fingerings Dm Standard Bb Standard Gm Standard Am Standard Harmony Analysis The harmony of 'Chicago' is defined by its use of the Natural Minor scale, avoiding the raised 7th (leading tone) except for moments of high tension in the pre-chorus. The 2014 contemporized version by Timbaland emphasizes the i-VI-iv-v loop, which is a staple in dark pop and hip-hop influenced R&B. This creates a hypnotic, driving feel that allows the vocal melody to take center stage. The harmonic language is more sophisticated than standard I-V-vi-IV pop because it utilizes the distinctive 'flavor' of the minor v chord and the bVII-i resolution. Find Tabs & Chords Songsterr Interactive tabs Ultimate Guitar Chords & tabs Cifra Club Chords
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