Superstition

Superstition is a masterclass in funk harmony, utilizing a 'one-chord' approach for the verse to build rhythmic momentum through the Clavinet riff. The harmonic sophistication arises in the chorus, where Stevie Wonder employs a series of non-diatonic dominant chords (Bb7, Cb7, A7) that function via voice leading and chromatic movement rather than traditional circle-of-fifths resolution. This creates a sense of instability that perfectly mirrors the lyrical theme of 'superstition' before resolving back to the grounded, bluesy Ebm tonic.

The song was born from a spontaneous jam session between Stevie Wonder and guitarist Jeff Beck. While Beck was playing a drum beat in the studio, Wonder began improvising the iconic Clavinet riff. Although Wonder originally intended to let Beck record the song first as a 'thank you' for playing on the Talking Book sessions, Motown executives insisted Wonder release it himself first.

Released on the 1972 album Talking Book, 'Superstition' represents Stevie Wonder's peak creative independence and pioneering use of electronic keyboards. The track reached number one on the US charts, blending gritty soul grooves with a cautionary tale about irrational beliefs.